Idea 1
Attention: The Currency Of The Age
How do you reclaim your mind when information is infinite and interruptions are engineered? In this book, Hayes argues that attention—not oil, data, or code—is the scarce, contested resource that shapes modern markets, media, politics, and your private life. When you give attention, you are giving away moments of your one finite life, and the entities that command that attention—Apple, Google, Meta, Amazon, TikTok—sit atop the economy because they allocate and monetize it. The twist is simple but profound: information is abundant and cheap; attention is limited and priceless (Herbert Simon framed this inversion decades ago, and Hayes updates it for feeds and phones).
Hayes’s claim is not just economic; it’s existential. Attention is the substrate of your conscious experience—the “what you agree to attend to” that William James called the essence of life. So when platforms extract, package, and sell it, they are not moving inert widgets. They are trading access to your inner life. Once you see that, you notice the same logic everywhere: Google search conserves your attention, then auctions it (AdWords); Amazon search ranks command purchases even when products are interchangeable; the iPhone makes attention portable and continuous; and YouTube/Instagram transform seconds into revenue with variable-ratio rewards that keep you pulling to refresh.
Three kinds of attention you live with
To explain your daily tug-of-war, Hayes breaks attention into three modes. Voluntary attention is what you choose—reading a novel, learning a skill, deep conversation. Involuntary attention is your alarm system—sirens, sudden crashes, alerts—that hijacks focus so you survive. Social attention is special: the gaze you give and receive, rooted in your need for recognition (think of the cocktail party effect; hearing your name across the room snaps you to attention, as Neville Moray’s 1959 experiments showed). The attention economy exploits all three: involuntary hooks grab you (pings, banners), voluntary techniques hold you (story arcs, cliffhangers), and social circuits keep you circling (mentions, likes, tags).
The slot machine model
Because holding deep focus is hard and expensive, most platforms adopt a slot machine model: short suspense, variable rewards, repeat. Natasha Dow Schüll’s “machine zone” research on gamblers maps neatly onto infinite scroll (Aza Raskin’s innovation), loot boxes in games (Call of Duty), and TikTok’s For You page. Chartbeat’s data that most web visits last under 15 seconds confirms the incentive: you don’t need to own someone’s attention all the time—just a few seconds, repeatedly. Hayes shows how even “serious” outlets respond: when ratings lag, cable news reintroduces tickers and crawls to grab channel-flippers, choosing repeated grabs over sustained storytelling.
Commodification and alienation
Applying Marx and Polanyi, Hayes calls attention a “fictitious commodity”: something not produced to be sold that markets nonetheless trade. The result is alienation; your interior life becomes an asset on someone else’s balance sheet. Ad-tech promised precision, but Tim Hwang warns of “subprime attention”: bots (Adobe pegged non-human traffic near 30% in some audits), inflated metrics (Facebook’s “pivot to video” fiasco), and programmatic opacity separate what buyers think they buy from real human focus. When supply is capped (only so many waking hours), firms escalate extraction with more notifications, personalization, and social hooks, cheapening the quality of experience along the way.
Public attention and its hijacking
Public life also runs on attention. The Lincoln–Douglas debates once organized it for depth; modern media organize it for speed and spectacle (Neil Postman’s warning lives on). Hayes shows how Trump mastered attention-as-an-end: he seized the agenda through provocation and interruption, making all politics about what he wanted you to think about, not what opponents wanted to argue. In this world, slow-moving crises (climate change) get overshadowed by spectacles (Titan submersible), and newsrooms herd toward what keeps the meters spinning. The penny press did it with hoaxes; feeds do it with outrage.
Recognition markets and platforms as regimes
The deepest driver is social attention’s link to recognition. Kojève’s reading of Hegel says you crave not just pleasure but acknowledgment from another subject. Social media industrializes that hunger, producing fame without reciprocity. Hayes’s “Star vs. Fan” parable explains why a million likes can leave you hollow. Elon Musk’s purchase of Twitter/X for $44B, then pressing engineers to boost his reach, is a case study in recognition-chasing. Platforms act like feudal city-states, writing rules to keep your attention inside their walls (contrast Signal’s nonprofit stance or a physical newspaper’s editorial gatekeeping).
Core Claim
Information is infinite and attention is limited. Whoever best conserves, channels, or captures that attention wins markets, shapes politics, and colonizes your inner life.
Paths to reclaim your mind
Hayes blends personal practice, alternative markets, and regulation. He prescribes walks, daydreaming, and mindfulness to rebuild tolerance for boredom (Pascal’s “inability to sit quietly,” Kierkegaard’s “boredom is the root of all evil,” and anthropologists like Sahlins and Michael Cepek remind you boredom is cultural, not fixed). He points to vinyl and print as “commitment devices” that resist skippability. And he endorses policy: age minimums for social media, design constraints for kids, transparency rules—labor-law analogies for attention protection. The upshot is hopeful: by redesigning tools, norms, and rules, you can treat attention as a shared civic resource rather than a mine to be strip‑extracted.