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The Managed Heart and the Commodification of Feeling
How does a smile become a product? In The Managed Heart, sociologist Arlie Hochschild argues that modern capitalism has extended its reach into the most intimate corners of life—our emotions. She names this new frontier emotional labor, the paid management of feeling to produce a public display that serves organizational goals. Every time you calm a customer, soothe a patient, or promise sincerity on behalf of a brand, you are selling emotional labor.
Hochschild’s breakthrough insight is that the self, not just the body, has become a tool of production. Industrial capitalism once demanded physical strength and mechanical repetition. Postindustrial capitalism demands emotional discipline, empathy, and warmth. Workers—especially women—are trained to adjust their inner states, not only their outward behavior, so that emotion itself becomes the instrument of corporate success.
From private emotion to public display
The book begins by distinguishing emotional labor from emotion work. Emotion work is what you do privately—trying to feel joy at a celebration or to calm resentment during a family dispute. Emotional labor is what you sell; it is the same project of managing feeling but done for pay, under supervision, and for institutional ends. At the Delta Airlines training center, attendants are told to "act as if the cabin were your living room"—an act that transposes domestic warmth into a corporate product. When Beth Israel nurses manage compassion amid bureaucratic constraints, they also translate private emotion work into professional practice.
The mechanics of emotional control
To perform emotional labor, workers use two tools: surface acting and deep acting. Surface acting changes only the expression: you paste on a smile, modulate your tone, or adopt proper posture even when you feel otherwise. Deep acting, in contrast, alters the interior: you invoke empathy, recall a soothing experience, or imagine why a passenger is upset to genuinely feel compassion. Borrowing from theater’s Stanislavski method, Hochschild shows that deep acting appears more authentic and thus more effective in service roles, but it drains inner resources over time.
Managers cultivate both techniques through recruitment, training, and supervision. Airlines test for “animation,” use manuals to specify tone and posture, and conduct recurrent courses on stress management. Supervisors monitor smiles as indicators of customer satisfaction. Feedback loops—passenger letters labeled “orchids” or “onions”—reinforce the norms. The worker’s emotional repertoire becomes not merely personal but standardized, scripted, and a measure of job performance.
When feeling rules meet market rules
Every culture teaches feeling rules—shared instructions for what to feel, how much, and for how long. You mourn at funerals, celebrate at weddings, or stay calm in emergencies. Emotional labor overlays those moral expectations with commercial imperatives. The “gift exchange” of private life, where emotions are offered freely as signs of care, becomes the “wage exchange” of the market. Firms capture the private currency of warmth and turn it into profit. Hochschild calls this process transmutation: the conversion of private emotional energy into a commodity.
Once feeling is standardized, organizations expand globally on its back. Hochschild connects flight attendants and call-center agents to surrogates in the Akanksha Clinic in India and nannies in transnational care chains. Everywhere, the same logic applies: a global market that sells intimacy, calm, and affection, often by recruiting women whose cultural or class training has already taught them how to nurture or defer.
The inner costs and social significance
Selling feeling carries a psychic toll. When outer display diverges from inner state, workers experience emotive dissonance. Smiling when weary or kind under abuse, you begin to doubt the authenticity of your own emotions. Hochschild likens this to Marx’s alienation of the laborer from the product: just as industrial workers were estranged from their physical output, service workers become estranged from their emotional truth. The “signal function” of feeling—its ability to tell you what matters—weakens.
Her ethnographies show diverse coping strategies. Some workers “go robot,” detaching from feeling to survive. Others compartmentalize by calling it acting, treating emotion as a craft rather than self-exposure. Unions sometimes help by negotiating crew sizes or encouraging worker autonomy so that individuals can pace emotional output and avoid burnout. Each strategy is an adaptation to the central dilemma: how to act sincerely while remaining protected.
Gender, class, and the social order of feeling
Hochschild shows that emotional labor mirrors existing hierarchies. Women do more of it, both because they are socialized into empathy and because lower economic power compels them to trade niceness as a resource. Men more often occupy the “heel” end of the emotional spectrum—bill collectors, enforcers—where anger or authority must be displayed. Women dominate the “toe” end—flight attendants, nurses—where nurturance and charm are required. Both ends confirm and reproduce class and gender divisions: those with more status command emotion; those with less surrender it.
At home, class-differentiated family practices prepare children for these roles. Middle-class parents use “personal control” systems, coaching emotional awareness (“It would hurt Mommy if you yelled”). Working-class parents favor “positional control,” stressing obedience to external rules (“Because I said so”). The result is that children from emotionally reflective households are more suited to middle-class service work—jobs that demand interior management rather than sheer compliance.
The paradox of authenticity
As corporations institutionalize feeling, culture reacts by venerating authenticity. From Rousseau’s “natural man” to modern therapy’s call for “realness,” Western culture romanticizes spontaneous emotion precisely because it has become scarce. Yet even therapies that promise emotional liberation—Gestalt, EST, bioenergetics—teach techniques to manufacture authenticity. The market thus reclaims even resistance, selling sincerity as a curated experience.
Hochschild ends by observing that the home, once a refuge from market demands, is becoming another site of commodified emotion. The rise of nannies, surrogates, and professional caregivers represents a new phase of the managed heart. Her question lingers: if authenticity itself becomes a product, can any sphere of feeling remain truly our own?