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How Originals Challenge the Defaults
How do you create ideas that truly stand out—and get others to follow you? In Originals, organizational psychologist Adam Grant argues that originality isn’t the product of reckless genius or sudden inspiration. It’s the result of deliberate questioning, disciplined timing, and careful coalition building. The book reveals that originals succeed not by being different for its own sake, but by rejecting defaults, managing risk wisely, and working through social systems that usually discourage dissent.
The book’s core message is that anyone can be more original if they understand the hidden forces that drive conformity—and then systematically counteract them. Originals notice assumptions that others overlook, delay execution to refine their ideas, balance creative risk across domains, and cultivate environments where dissent improves rather than threatens cohesion.
Seeing the world with “vuja de”
Originality starts when you see everyday norms with fresh eyes. Grant calls this stance “vuja de”—the reversal of déjà vu. Rather than treating familiar systems as inevitable, originals ask, “Why are things this way?” Warby Parker’s founders started with such a question: why do glasses cost more than an iPhone? Their answer—market dominance and unnecessary markup—led to a new model that disrupted eyewear. Vuja de breaks system justification, the psychological impulse to rationalize the status quo for emotional comfort. If you convert dissatisfaction into curiosity, you find opportunities that others miss.
Risk like an investor, not a gambler
Contrary to the myth, originals rarely quit their jobs blindly or bet everything on a single idea. They build what Grant calls a risk portfolio: bold moves in one domain offset by stability in another. Steve Wozniak stayed at Hewlett-Packard while working on Apple; Sara Blakely sold fax machines while prototyping Spanx. Keeping a safety net enables experimentation without ruin—originals reduce the risk of risk-taking. You can apply this by launching projects in spare time or maintaining backup plans until traction appears. The goal isn’t fearlessness; it’s sustainable boldness.
Judging ideas: who to trust and when
Generating ideas is one skill; picking winners is another. Grant cites Justin Berg’s forecasting research showing that creators—not managers—are best at predicting which innovations will succeed. Fellow creators understand novelty from the inside without being shackled to precedent. To improve selection accuracy, originals generate multiple variants, separate creation from evaluation, and let peers weigh concepts before managerial filters. Warby Parker used internal peer-voting (“Warbles”) to refine features quickly without costly mistakes.
Timing creativity: the power of strategic delay
Grant reframes procrastination as a creative tool. Jihae Shin’s studies show that people who delay execution while mentally holding a problem produce more original ideas. Martin Luther King Jr. perfected his historic speech hours before delivery—the late improvisation allowed his most inspired lines. Similarly, strategic waiting lets ideas incubate and markets mature. Being first isn’t always best; Netflix and Warby Parker thrived as refined settlers after early pioneers failed. Timing matters—sometimes waiting makes you right.
Speaking up and managing fear
Having ideas isn’t enough—you must voice them effectively. Originals such as Carmen Medina (CIA’s Intellipedia) learned to earn status before proposing radical change. Accumulating “idiosyncrasy credits” through reliable contributions buys credibility. When pitching, Grant suggests the Sarick Effect: lead with flaws to disarm skepticism and invite engagement. Choose disagreeable allies who challenge rather than placate you. Emotionally, originals reframe fear through “reappraisal”—turning anxiety into excitement—just as Lewis Pugh transformed dread into drive before his polar swims.
Mobilizing and sustaining movements
To scale originality, you need followers. Srdja Popovic’s activism proves that humor, small visible acts, and loss framing mobilize change. Tiny signals of dissent and playful protest (Otpor’s Ping-Pong balls, Merck’s “kill the company” exercise) reduce fear and increase urgency. In your organization, visible low-risk steps can prime collective courage before high-stakes reforms.
Lessons from organizations and cultures
Early founder choices—hiring, culture, and blueprint—shape long-term adaptability. James Baron’s studies show that “commitment cultures” built on shared values outperform skill-driven ones early but risk rigidity later (Polaroid’s fall is a cautionary tale). Cohesion isn’t dangerous on its own; groupthink arises from overconfidence and reputational fear. Bridgewater’s “idea meritocracy” offers a pragmatic remedy: transparent evaluations, weighted debate, and accountability systems that prize dissent over harmony.
Cultivating originality from childhood
Originality often begins in families. Frank Sulloway’s birth-order research finds laterborns more willing to rebel. Empathetic parenting—explaining consequences, praising character (“you are helpful”)—fosters moral identity and the courage to defy norms constructively. Exposure to mentors amplifies this effect: Jackie Robinson’s early guides shaped his disciplined defiance. You can raise originals by allowing role differentiation, modeling moral reasoning, and welcoming principled dissent.
The book’s throughline
Throughout Originals, Grant argues for a new model of creativity: question assumptions, balance risk, delay wisely, speak strategically, build coalitions, and design cultures that reward dissent. Originality isn’t innate or chaotic—it’s deliberate, learnable, and collective. These practices let you champion ideas ethically and sustainably, turning small acts of questioning into systemic improvement.