Idea 1
Life, Land, and Survival in a Dry Country
How do you survive when the land you love turns hostile? In The Horses Too Are Gone, Mike Keenan transforms what could be a single drought story into a study of endurance, ethics, and change across rural Australia. The drought of 1994 isn’t just weather—it’s the crucible that exposes every weakness in people, systems, and landscapes. You follow him from Myall Plains to Mt Kennedy, carrying families, drovers, horses, and cattle across collapsing markets and parched ground. Each decision—whether to feed, sell, or move—becomes an existential gamble. But this is more than survival; it’s a reflection on belonging, technological change, and moral responsibility when the institutions of law and nature both falter.
Human and ecological interdependence
Keenan’s Australia is an organism: people, plants, and animals interlock in a fragile web. The kurrajong, Mitchell grass, and brigalow each play a role, revealing how biology sets the limits of survival. When modern power saws shred kurrajong branches, what’s lost isn’t just shade—it’s generational continuity. Likewise, when farmers cut Mitchell grass for wheat or clear brigalow belts, short-term profit undermines resilience. Drought forces you to listen to the land again. Trees, grass, and animals cease to be scenery—they are indicators of balance or collapse. Keenan’s ecological realism makes his work akin to writers like Eric Rolls or Mary Durack, who treated landscape as a living interlocutor, not resource inventory.
Practical leadership under duress
The book’s rhythm follows crisis management: checking feed and water, planning droves, repairing bores. Mike Keenan leads by necessity, not authority. Each scene—hauling pipe at night, roadtraining weak weaners, shuttling cows sixteen at a time—teaches how leadership in the bush fuses technical and moral intelligence. He balances economics and humanity, knowing that each wrong move costs either cattle lives or personal dignity. To lead here means accepting pain: his knee crushed, his hands torn, his choices doubted by banks and family alike. You come to understand resilience not as stoicism, but as daily improvisation under pressure.
Community and gender as infrastructure
Keenan dissects drought’s social anatomy: resilience is communal, and women form its hidden architecture. Sal holds the household through months of absence and risk; Annette, Joan, and Jenny run the informal networks of food, gossip, and care. Masculinity lives in pubs, droving camps, and makeshift alliances—but without women’s unpaid logistics, the system collapses. His portrait of the Hamilton family at Rowallan shows social economy in action: people loan horses, plumb broken pipes, and offer bread before rules. This interdependence challenges easy rural myths—the bush hero cannot exist without domestic labour and local generosity.
Law, justice, and moral frontiers
In these remote ranges, law travels slowly. The Roma court scenes reveal rural justice as part-theatre, part-discretion. Mike’s arrest for illegally using a mare shows how statute collides with circumstance, echoing the colonial tale of Harry Redford—the mythic drover tried for taking bullocks but acquitted because the jury admired his bushcraft. Institutions exist, but enforcement depends on place, personality, and local memory. Against this backdrop, the Wild Bunch emerge as mirror images of the official system—thieves by law, but community fixtures by reputation. They force you to ask whether moral order in a frontier landscape is better sustained through formal policing or negotiated custom.
Symbols of change and loss
When “the horses too are gone,” what’s really lost is a way of perceiving and working. Horses—Circus, Yarramin, Vodka Jack—embody a form of knowledge that connects muscle memory, geography, and relationship. Their decline marks mechanisation’s victory and the erosion of an older bush ethic. Technology brings speed but not grace; tractors and roadtrains can replace labour, but not belonging. Keenan’s farewell to horses doubles as elegy for an identity defined by touch, smell, and endurance rather than spreadsheets and subsidies.
From drought to philosophy
Beneath every rope burn and failed auction lies a philosophical question: what does it mean to inhabit a country that’s both beloved and lethal? Keenan insists that survival requires humility before systems larger than commerce or courage—the climate, the ecology, the human community. The lesson is realistic but not hopeless: improvisation, shared labour, and ecological restraint can align survival with stewardship. You don’t defeat drought; you learn to live intelligently within it.
Core message
In the end, this book teaches that the bush tests not only endurance but ethics. The fight for cattle becomes a meditation on how integrity, cooperation, and respect for the land are the only sustainable currencies in a world that will keep burning, flooding, and drying without warning.